Going to be shooting a show for the Weather Channel with a producer director I really admire. Took a look at the potential new cameras on the market that may be worth buying for the show- the 700 seems like the way to go but with all the parts needed to make it into a run and gun camera Ira really out of the budget- the 100 is nearly obsolete. There are no good solutions only compromises in TV. I should go back to my plan of buying glass and letting the production company by everything else.
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